Nineteen cameras.
Not a single filter.
Every body has its own aspect ratio, optics, controls and development process. Nothing is applied at the end.
The library
Pick a body, not a filter
Fifteen photographic cameras, from disposable flash compacts to square medium format. Each one frames, meters and develops differently.
Motion
Tape, cassette and 8mm too
Four video cameras render real tape and film behavior — tracking wobble, chroma bleed, gate weave — developed by an on-device video pipeline, frame by frame.
A shelf of cameras, not a carousel of looks
The camera library is a shelf of physical bodies. Swapping cameras changes the viewfinder, the controls you get and the way the negative is developed — everything is derived from the body you picked.
A development process, not a filter
Photos are exposed as negatives and developed with the camera's own color pipeline. Import any photo from your library and re-develop it with a different body — the negative is always yours.
Video, developed frame by frame
Recording on Tape 99, VHS, Warm 8 or Cine 24 runs through a native video renderer that treats every frame like a frame of tape or film — flicker, weave and smear included.
Glass & gear
Lenses and accessories that mount on the body
Four interchangeable lenses and four accessories change how a body sees and develops — mount a macro, soften the highlights, push the stock.
An 18mm wide prime for cramped rooms and big skies.
The classic walk-around 35mm field of view.
A short tele for portraits with compressed backgrounds.
A 28mm macro that gets close without getting soft.
A cold on-camera flash with honest falloff.
A diffusion filter for blooming highlights.
A warming filter that pushes halation further.
A push-process that adds grain and contrast.
19 cameras. One iPhone.
FilmFold is finishing development. Leave the filters behind when it lands on the App Store.
Coming soon to the App Store